And as the film unfolds, it chastises us for not believing in them too. Nevertheless, Furiosa always views these women as worthy of respect and protection. Furiosa barks at her to hurry up, and in this moment I, too, felt annoyed with Toast’s clumsy attempt to ready the weapon, as if I, or anyone else in the audience, could have done better with a gun at my back.
The wives can’t breathe while stowed inside the truck, and they soon find themselves in the middle, and in the way, of an attack.Īt one point, “Toast” (Zoe Kravitz) can’t reload a gun fast enough to be of use. Of course, things rarely go according to plan. They’re physically weak and unused to battle, so their main job is to hide. Because despite their empowering mantra, it seems they wouldn’t last five minutes on their own.įuriosa has packed the wives into the belly of her war-rig to help them escape from the patriarchal hell of the Citadel. There is little patience for delicacy in the Waste, and, at first, Fury Road dares its audience to dismiss these young women for not immediately thriving when thrust into a barren world of death and violence. “Out here, everything hurts,” Furiosa, who has just engaged in ferocious hand-to-hand combat with Max, coolly responds. After a bullet grazes one’s leg, for example, she complains that it hurts. Having spent their lives coddled (to the extent a person who has been enslaved by a tyrannical war lord can be coddled) on a fertile sort of mountain top called the “Citadel,” the wives certainly don’t look like the wiry-haired, dust-coated people of the Earth below.
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“Where did you find such creatures?” one wizened lady-biker asks Furiosa upon meeting the group in the desert, noticing how out of place the wives- with their soft skin and billowy muslin outfits - are in the orange wasteland.
In a society (if you could call it that) that alternately milks women like cows and uses them as human “breeders,” they also exhibit a striking adherence to a revolutionary belief: “We are not things.”
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They are beautiful, generous and kind - deliberately feminine traits that have allowed them to survive as long as they have, and which the movie refuses to treat as a burden or incidental. She gets the movie’s meatiest narrative arc, and she gets to be the one who beats bad guy.īut where Fury Road really surprises is in its genuine respect for the five women Furiosa is trying to save. This is all well and good, and Fury Road absolutely deserves props for not treating its female fighters like some sort of fetishized shtick.Ĭase in point: Theron, who is gorgeous, and who is going to be gorgeous even with a buzz cut and some oil on her forehead, is never sexualized in the film there’s no gratuitous nudity, no lingering crotch shots (ahem, Gravity), nor half-assed third-act attempts to turn her into a love-struck damsel in distress (ahem, Gamora). Within this world of fire and blood exist two rebels on the run who just might be able to restore order… There’s Max (played by Tom Hardy from “The Dark Knight Rises”), a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos.Īnd… Furiosa (played by Charlize Theron from “Prometheus”), a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland.Īlso starring Nicholas Hoult as Nux and Hugh Keays-Byrne as Immortan Joe, Nathan Jones, Zoe Kravitz, Riley Keough, Rosie Huntington-Whiteley, “Mad Max: Fury Road” opens across the Philippines in 2D and 3D theaters on May 14, 2015.When we think of action heroines, we tend to think of women who can match men in shows of sheer masculine strength - women like Furiosa.
The post-apocalyptic action film is set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. “Mad Max: Fury Road” is the fourth film of George Miller‘s Road Warrior/Mad Max franchise co-written and directed by Miller.
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